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Sound Design, Mixing, and Mastering with Ableton Live (Quick Pro Guides), by Jake Perrine
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Go beyond the basics of Ableton Live with this book of audio making and mangling recipes, tips, and mixing/mastering techniques. Ableton Live is undoubtedly the most flexible audio application available today: Use it for sound design for music, film, theater, and games; composition; improvising with other musicians; live looping; DJing; and of course mixing and mastering music. Author, mastering engineer, certified Ableton trainer, and power-user Jake Perrine will inspire you to use Live in new ways, and to improve how you already use it. Striking a delicate balance of artistry and theory, he will expand your repertoire for both the studio and the stage. From inspiring recipes for sculpting audio magic and mayhem, to in-depth discussions of mixing and mastering that you would expect to learn in an audio production school, this book is designed to help you "out of your box" into a larger world. It will deepen, enliven, inspire, and improve and your tracks, audio, and performance skills with Ableton Live.
- Sales Rank: #1167033 in Books
- Published on: 2012-03-13
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .42" w x 8.50" l, 1.00 pounds
- Binding: Paperback
- 180 pages
- Brand Name: Baker and Taylor Mfg#: 9781458400376
- Shipping Weight: 1.12 lbs
- Manufacturer:
- Genre:
- All music products are properly licensed and guaranteed authentic.
About the Author
JAKE PERRINE began making bloops and bleeps with computers on an Apple II+ when he was 12. He has been an audio engineer for RealNetworks and a mastering engineer at RFI/CD, and has taught professional audio production for over a decade at the Art Institute of Seattle. He has written and directed a rock opera entitled Vamp, releases his own solo electronic music under the name Spire, and is one half of the electropop duo Bloom.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Very, very basic
By Reviewer11922
If you completely have no idea what you are doing with Ableton Live then this could be helpful. However, it just barely scrathes the surface on sound design, mixing, and mastering.
3 of 3 people found the following review helpful.
Good, but could have been GREAT!
By Smoothcut
This book is a great companion to Jake Perrine's other book - "Producing Music with...". It covers some topics more in depth such as mixing automation and using MIDI controllers.
Jake has an easy-to-follow, laid-back writing style that will keep you interested as he moves through various topics.
My only complaint is that this book is being marketed as a more in depth exploration of Ableton Live, and yet 50 or 60 pages are wasted duplications of the exact same basic information given in the Producing Music... guidebook. Bummer dude.
Since this book has 30% less fresh material than the other book, It should cost 30% less IMHO.
That being said, I do not regret buying both books, they are going for bargain prices and there is a good solid foundation to had in Ableton Live by doing the all the exercises in both books.
Peace.
1 of 1 people found the following review helpful.
review
By smudga
jakes enthusiasm for music production is immediately evident in his book. It's very well written, and jakes knowledge of ableton is top drawer.The book follows a project that is on the accompanying cd, explaining various techniques in ableton live from keyboard shortcuts to mastering in live. I personally found the sound design and mastering chapters a little bit lightweight in content, as these are such huge areas they could have been covered in a bit more depth. If your hoping to learn to design your own patches with operator or any other built in synths this wont be covered. Having said that there is comprehensive coverage of using racks, processing, midi and controllers, and mixing and automation to name a few. Overall i thought the book was excellent value for money and I would recommend the book for anyone looking to improve their skills with abletons software.
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